Kruk

In 2025, the company moved to a new office, designed by architects from the Warsaw-based BIT Creative studio.

Our role in the comprehensive project for this space was to create graphic elements that help employees identify rooms and to design the wayfinding system and spatial signage.

We produced dozens of graphics installed in conference rooms, meeting rooms, project rooms, and focus rooms. Additionally, we designed several LED signs and placed them in social areas, such as kitchens and relaxation zones.

The graphics focus on three thematic areas defined by the client: Wrocław and its most interesting corners, the beauty of nature, and the company’s organizational culture and its people. The murals were created by Zuzanna Wollny and Karolina Misior.

Business Link

Business Link is a network of flexible office spaces located in Poland’s major cities. In the Nowy Rynek office building in Poznań, the interiors were designed by the MIXD studio from Wrocław. We had the opportunity to create a unique project within this space, featuring works by some of Poland’s leading street artists and illustrators: Kinga Offert, Zuzanna Wollny, Karol Banach, Łukasz Berger “Cekas”, Sicoer, and SomeART.

When inviting them to collaborate, we were guided both by their distinct artistic styles and accomplishments, and by the desire to have them represent the cities where Business Link offices are located.

Their works explore two thematic areas: abstract compositions, and pieces focused on wellbeing, the balance between work and private life, the importance of contact with nature in urban environments, and time spent with loved ones.

Dom Development

In the new Dom Development office in Wrocław, we once again took on the theme of our hometown — this time featuring the city’s most iconic bridges.

The concept for the graphics was initially developed by the Colliers team, responsible for the architectural design of the office. Our role was to refine the graphic concept and create the wayfinding system for the space.

In the conference rooms, we designed wall graphics printed on wallpaper, depicting views of Wrocław and three-dimensional representations of its bridges. For these elements, we chose PET felt due to its plasticity and acoustic properties.

On the glass partitions, we introduced geometric ribbon-like patterns, while the office signage features black symbols on a white background, ensuring clarity and contrast.

The project is crowned with a colorful, “forest-themed” mural in the relax room, created by Zuzanna Wollny.

Develia

Our project for the Develia real estate company’s office consists of two main elements: a wayfinding system and a series of decorative murals.

The office, located in the City One building, was designed by the architectural studios re:build studio and Robak Piasta Architekci. The interior is elegant and subdued, featuring beige and navy tones. Our signage follows the same principles — minimalistic and legible, designed to harmonize with the overall aesthetic.

On the frosted glass panels dividing some of the office spaces, we incorporated a geometric motif derived from the company’s logo — isosceles, symmetrically arranged triangles, easily multiplied to create an engaging, dynamic pattern.

At the client’s request, the murals depict less obvious yet fascinating urban spaces of Wrocław, such as Tołpa Park, the Olympic Stadium, and the WUWA housing estate.

In the office kitchen, a mural by Zuzanna Wollny presents a scene of urban leisure — with a food truck, a bike café, and their happy customers. In the conference rooms, mural-wall units were created, where a keen eye will spot many icons of Polish and international design.

NOVUM III – Etap 2

We designed the wayfinding system for a residential building that marks the final stage of the NOVUM development in Kraków.

As in the previous phases, the signage we created subtly references the project’s color palette and branding. The main graphic motif is an interlocking, stepped form, inspired by the shape and façade of the building. For large typographic signs, we used the Pangaia Bold typeface, while Roboto Slab was chosen for apartment numbers and descriptive text.

In the underground garage, we designed a series of abstract compositions drawing from the branding elements. The gold color, paired with navy blue and raw concrete, worked particularly well in this space.

For the apartment and floor signage in the elevator lobbies, we used plywood numbers with white fronts, a detail that adds warmth to the interiors. The outdoor elements, made from aluminum sheet, provide a strong contrast to the brick façade and the surrounding greenery.

The main entrance to the courtyard is decorated with a mural referencing Kraków’s iconic landmarks and the historic architecture neighboring the site. The mural was designed by Karina Dziamidzik.

T-Mobile Biuro

In the Warsaw headquarters of T-Mobile Polska, we created several space branding walls featuring three-dimensional elements.

Based on the company’s brandbook guidelines, we designed and executed a series of walls that bring life to the corridors and open office areas.

The central theme — and dominant color — of the project is T-Mobile’s signature magenta. The graphics convey the company’s mission of connecting people and its commitment to sustainability.

In the execution, we used materials such as felt, plywood, plexiglass, and LED elements.

Stora Enso

Stora Enso is a global leader in renewable solutions for packaging, biomaterials, wooden construction, and paper. Originating from Finland, the company is remarkable in many ways — its history dates back to the 13th century (!), and today it ranks among the largest private forest owners in the world. Stora Enso operates in several European countries as well as in China.

In the company’s new Warsaw office, with interiors designed by Trzop Architekci, we created the wayfinding system and a timeline mural designed by Zuzanna Wollny.

The mural illustrates not only the key milestones in Stora Enso’s history but also major events in the broader industry — such as Gutenberg’s invention of the printing press, the launch of the first paper roll machine, or the printing of the first newspaper. In choosing the color palette, Zuzanna Wollny drew inspiration from the company’s logo. The Stora Enso timeline also looks ahead, reflecting the company’s commitment to circular economy principles and sustainable development.

Given the client’s deep historical ties to the wood industry, we used hardwood plywood as the primary material in the wayfinding system.

Bulwar Staromiejski

The Old Town Boulevard area is part of the historical fortifications of Wrocław. Currently, the area along the former city moat is a recreational green belt, marking the boundaries of the old town. The Old Town Boulevard is the last section of the boulevard to be opened to the public. This area is demarcated by the city moat, the Oder River, and the buildings of the former hospital. Today, it is a place where residential, recreational, service, and commercial functions converge.

For the past decade, the area formerly occupied by All Saints Hospital has been a blank spot on the city map. During construction and excavation work, remnants of various fortifications dating from the 16th to the 20th centuries were discovered. Remnants of a castle, a bridge, and numerous historical artifacts were also discovered. These discoveries naturally make this area a museum exhibit.

Our task was to mark the area and present its history, telling it in a reliable and accessible way. We collaborated with experts researching the area: Dr. Małgorzata Wójtowicz and Dr. Piotr Kmiecik. We handled the project comprehensively: branding the site, signage, and creating several graphics that adorn the walls of the complex.

For the site markings, we selected elements made of steel I-beams of various sizes: the largest ones display maps, the medium-sized ones provide directions and history, and the smallest ones carry short messages. We differentiated the elements by color: green ones serve as navigation and information, while those in a shade of iron red contain historical information. The former hospital buildings also bear plaques with historical notes.

For the graphic design, we chose the Di Grotesk typeface, designed by Marian Misiak of THREEDODSTYPE, a Wrocław-based artist. Based on this typeface, we designed a series of icons that not only provide information about the functions but also serve as symbols of the most distinctive buildings. We also used arrows from the Di Grotesk font to create a signet ring for the Old Town Boulevard.